My workshops are part of my practice. They are spaces where I test what I'm researching through performance and moving image: how cognition exceeds the individual human subject, and what happens when we use movement, voice, and collective attention to tune into forms of perception that aren't only ours.

Each format draws on different traditions — Butoh-informed movement, improvisational scores, guttural voice, constellation dynamics, the crosspoints between somatic, street, and codified dance languages. What connects them is a shared interest in the body as antenna: working in proximity, through technique and image, to access forms of perception that aren't available alone.